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Track 4 - High Maintenance Woman |
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Floyd Lee From the opening track, Down In Lamar, you know Floyd Lee is preaching the blues from deep down in his soul with such conviction that could only be achieved after a lifetime of living the blues. Listen as he takes you back to a place where the blues was born, where Floyd himself was born almost seventy years back... Mississippi. Close your eyes and you're there. But hold on, the journey has just begun... As a young boy, living in Mississippi during the summer, he would often hear his father sing blues songs while working in the cotton fields. Going to school in Memphis during the winter months living in a house located in Webbs Alley, Floyd would sneak out at night to watch his father, who was known in the local blues scene as 'Guitar Floyd', perform with other bluesmen such as a young 'Guitar Slim'. Inspired by his father he would play his guitar when he wasn't looking. He remembers the guitar neck being too big for his hands. "Back in Mississippi, I remember a bluesman that would go from house to house, selling his 78 and would let you listen to it on a wind-up victrola, which he would carry with him. You'd hold up a tin can to your ear that he had hooked up to it and you could hear what he recorded. I don't remember his name." Floyd also recalls, "In Memphis my school was right on Beale Street. There was a park close to the school with a piano in it and there would always be this guy playing it. I would go watch him as much as I could." Floyd left the South early on put on a bus at the age of ten and sent on his own, with a sign around his neck that simply read "Chicago". Staying with relatives briefly, "right up there under the L train", he earned a living by shining shoes on 43rd and Indiana. "I was always a working man." He spend some time in Flint, Michigan before moving on to Cleveland, Ohio in 1947. One of his early memories of living in Cleveland was winning a contest by selling the most newspapers (Cleveland Plain Dealer) to be a batboy for the Cleveland Indians for two weeks. "They won the world series that year. That was 1948. I still remember the lineup." Floyd sang in the church choir where his talents as a singer were recognized. The preacher thought so highly of him that he gave Floyd his first guitar (a Gibson T125 electric with one pick up in the middle). Floyd converted the pulpit's PA system into a portable amplifier by hooking it up to a battery. This allowed him to play anywhere outdoors where electricity wasn't available. This was quite a novelty in the 1950's. Cutting his teeth on Nat King Cole songs and later moving to Jimmy Reed material, Floyd made a name for himself around town as a singer and a guitar player at various gigs and rent parties using his portable system. Word go around, eventually landing him some regular gigs with Jimmy Reed sitting in for Eddie Taylor when he couldn't make it (Eddie was Jimmy's main sideman). One of the more prestigious gigs was a show that included Stevie Wonder, The Supremes along with Jimmy Reed on the bill. "Jimmy would swing by the house and pick me up." That's Floyd playing rhythm guitar on 'Honest I Do', a Jimmy Reed classic, although never receiving credit for it. "But I did get paid." While living in Columbus he played a gig opening for Wilson Pickett at the Club Regal. Later Floyd was asked to play guitar on his hit 'I Found A Love'. Floyd moved to New York in the early seventies finding work in Spring Valley, eventually settling down in Harlem. Working for twenty-seven years as a doorman and the Normandy (86th & Riverside Dr.) Floyd continued to play the blues whenever he could and has made himself known around New York City as a true blues original. Floyd Lee as been there and done that. Retiring a few years back, he has been pushing himself harder than ever in keeping the blues alive. He is a self-driven bluesman who follows his own path. He has a distinct style all his own. So sit back and listen to Floyd Lee deliver the Mean Blues. |
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Reviews & Radio Quotes |
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The most pleasant surprise is Lee's pain-curdled voice, with which he delivers a dozen smooth, dark, powerful slices of blues lament. Colored with B-3 organ washes and the outstanding guitar work of Joel Poluck, Mean Blues sounds like a travelogue of Lee's domiciles. Lee is commanding - his spoken asides and verses swing more emotional weight than most youngbloods' loudest wailings. I have to say this CD really is a surprise packet; thoroughly enjoyable, it's like a breath of fresh air these days to hear something as together as this This is without doubt the best blues CD I have heard so far this year, and I have heard a few hundred. --- Twelve great songs --- Floyd steps out as a first-rate vocalist. I'd have to say this is one of the best "New Artist" releases I've heard in some time. You can be assured it will get lots of airplay on my show. Blues CD of the Week - 12/07/02 and #1 Top Blues CD for the month of July/02 - Blues Beat 5EFM FM 89.3 Victor Harbor 94.7 Strathalbyn 88.3 Yankalilla S.A - 120 minutes "The Sound Of The Fleurieu" 3HOT-FM Muldura, 90.7 Robinvale & Wentworth Vic, 87.8 Coomealla NSW. - 60 Minutes Your Host: Geoff Pegler (Australia) It is a very strong platter, one of the best I have heard this year so far 7/17/02 It is an excellent blues CD. Floyd's singing is real strong and gritty. This is certainly one of the best recent blues CD's. 7/31/02 XM Satellite Radio - Bluesville "Click To Pick" Top 10 Most Often Listened-to Recordings In Blues Revue Magazine's Offices: ... a bluesman as authentic and down home as anyone on today's scene ...one of the greatest blues discoveries of the last decade. Floyd truly is a singer's singer and a talent to behold. Lovers of the "Real Thing" will savor pretty well every second. I have given it a lot of airplay and will likely nominate Floyd for a Handy Award in the best "new artist" category. ... I am shocked. It's something special in blues hard to find in any other kind of music. Suddenly an "unknown" artist around 70 records a record which moves a listener from the first song. Mean Blues is an excellent album, one of the best I've heard this year. Lee's vocals sound great and he is able to go from a hushed whisper to a feral growl with ease. The title cut is a standout, with Lee's growling vocals, George Papageorge's somber B-3, and guitarist Joel Poluck's delicate fills and a stinging solo. The entire band is first-rate, giving Lee all the support he needs. This CD has the total package, great performances, excellent songwriting, fine production, and a top notch front man. Floyd Lee's "Mean Blues" CD is one of the finest blues CD's that I have heard in some time and definitely the most atmospheric. Living Blues Magazine - Sept/02 radio chart Top 25 - Nov/Dec issue. |
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Floyd Lee - Vocals |
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Questions? Contact webmaster at www.DrumsOnTheWeb.com ©2004 Michael Fox |
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